The boat has been a part of our lives for a few years now. Last night, it even featured in my dreams.
Mr Grigg and I were sitting having a drink at De Vinchies, a now defunct club in My Kind of Town, when various hen and stag parties walked by, in high heels and Oompa Loompa outfits. Mr Grigg then suddenly declared he was going to bring the boat through.
Cut to a canal-style lock, with the tall masts of Nestor just fitting in beneath the nightclub roof, and then the beer-sodden, fag-ridden nightclub floor between the boat and the sea beyond.
I told him it was impossible but he insisted he could do it. The brightly-dressed clientele lent a hand to lift the boat's bow across the floor, much to the annoyance of the bar staff who were concerned at losing trade. I then presented a barmaid called Ann with a raffle prize before going back to lead the yo-heave-ho. It was no good, they couldn't lift it.
And then I woke up.
I am used to these vivid dreams in the Ionian. Probably too much sun, wine and all that calamari.
Today, we take the Putters back, along with Mr Grigg's brother who is so handy with a windlass.
Mr Putter has become do-er rather than dour as he takes the helm to avoid the seasickness he feels by just looking on. The fragrant Mrs Putter has brought a touch of Lush Places glamour to the boat, armed with nappy bags and wet wipes for the loo and the brilliant tip of lighting a match instead of cloying air freshener after using the lavatory. Every bathroom should have a box.
We will miss their company. My lasting memory is of Mr Putter rowing the dinghy as Mr Grigg and his brother snorkel to collect what Mr Grigg insists are a type of scallop from the seabed. Mrs Putter, discussing their find with an Italian gentleman who happens to be treading water nearby (attracted, no doubt, by siren Mrs Putter's fragrance), confirms they are endangered species which taste terrible.
The large bivalves are dispatched back into the water, with Mr Grigg annoyed at missing out on fresh lunch.
I took a photo of him with one of them just before the crew made the decision that the Noble Pen Shell(for this is what Wikipedia later tells me they are) should be returned to the seabed.
If figured it would have been useful to show the hospital when I took Mr Grigg to have his stompach pumped out.
'Remember the puffball,' I tell him.
His gills go green at the memory and the long wait in the A&E department.
Fragrant Mrs Putter wafts in from Preveza, accompanied by the dour Mr Putt-Putter, who immediately starts talking about the parish plan and how quiet the square is since the shop shut.
I imagine our hanging baskets wilting in the sun, my car's handbrake rusting while we are away and no-one, just no-one, stopping to talk any more. It's sad state of affairs.
Meanwhile, we are in Lefkas Town, a strange jumble of colourful buildings which look like they should be in a frontier town in south America rather than somewhere in the south Ionian.
During the day, the place is eerily quiet.
At night, the place is buzzing.
Meanwhile, up in Sivota, this is the world from my window.
From the hotel here.
And on the way to Preveza, to pick up Mr Grigg's Brother Number Two and the Putters, we stop off for a bit of sightseeting. We find the remains of the ancient city of Nikopolis, created by the Emperor Augustus after (as Julius Caesar's nephew, Octavius) defeating Mark Antony at the Battle of Aktion in 31 BCE.
The world from my window is going round like a giant ferris wheel outside while I sleep.
Every now and then, I wake, excited.
Each time, I see a different set of stars. Cassiopeia and then a constellation I don't recognise, four stars in a square and then a bright planet. And then I realise it's not a planet, it's the reflection of the air conditioning unit on the glass.
Mr Grigg is still sleeping as the sun rises. There is an orange glow above the skyline. I reach for the camera.
An hour or so later, we are downstairs, dogs barking lazily in the early morning heat and Katerina's mother tizzling up an omelette with ham and feta.
When we arrived at this hotel yesterday, this strange, Barcelona-inspired art hotel in the middle of nowhere, I couldn't quite believe it.
First there was this pink sign:
And then there was this, which sounded more like an order:
It was entrancing all right:
It sticks out like Gaudi's thumb in an ancient Greek landscape. And I love it.
Besides, they were playing Bits and Pieces by the Average White Band when we walked in through the door.
And as we sat down for dinner, the only ones in the hotel it seemed, Melina Mercouri started singing Never on a Sunday. Things could only get better.
And then, this morning, they do. I can see the ancient ruins of Dodona in the distance.
We wind our way down the hill, past teasels, old man's beard, fig trees, blackberrries, elderberries and avocado, the tinkling bells of a sheep and into the valley below.
We approach the amphitheatre, created by King Pyrrhus in 290 BCE and converted by the Emperor Augustus into a place of gladiatorial combat in 31 BCE.
And then to the sacred oak, the singing ringing tree of ancient Greece, where the voice of Zeus whispered its oracle pronouncements through the rustling leaves.
Just what is it the oracle is saying to me? I come over all romantic. At this point, a Japanese student takes a close-up picture of an oak leaf.